telemann concerto for 3 violins

(-)- !N/!N/!N - 3662 - Elainefine, PDF typeset by arranger Telemann's 4 In places where European ships landed in the 16 and 17th centuries, painters illustrated them playing musical instruments. 10 6 2 He was succeeded at his Hamburg post by his godson, Johann Sebastian Bach's second son Carl Philipp Emmanuel Bach. Several fretting schemes involve frets that are spaced unevenly to produce better-sounding chords in a limited number of "keys". [citation needed][11], Ian Woodfield, in his The Early History of the Viol, points to evidence that the viol does start with the vihuela but that Italian makers of the instrument immediately began to apply their own highly developed instrument-making traditions to the early version of the instrument when it was introduced into Italy.[5]. 8 2 The violones were never part of the consort of viols but functioned as the contrabass of all kinds of instrumental combinations. 2 2 His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of the violin, and as the first coalescing of 10 (-)- !N/!N/!N - 134 - Rdtennent, PDF typeset by arranger 6 In 1709, he married Amalie Louise Juliane Eberlin, lady-in-waiting to the Countess of Promnitz and daughter of the musician Daniel Eberlin. 2 in D major, TWV 43:D1 from the Six quatuors a violon, flute, viole ou violoncello et basse continue (Hamburg, 1730, Paris, 1736), "Telemann, Georg Philipp (Pseudonym Melante)", "Georg Philipp Telemann / German composer", "Georg Philipp Telemann Viola Concerto in G, TWV51:G9", The New Grove Dictionary of Music and Musicians, Partial list of Telemann publications and TWV numbers, International Music Score Library Project, Free scores of Telemann's Harpsichord Fantasias TWV 33:136, Don Quichotte auf der Hochzeit des Comacho, Faceted Application of Subject Terminology, https://en.wikipedia.org/w/index.php?title=Georg_Philipp_Telemann&oldid=1118530469, Wikipedia articles incorporating the Cite Grove template, Wikipedia articles incorporating the Cite Grove template without a link parameter, Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference, Short description is different from Wikidata, Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License 3.0, Suite in A minor for recorder, strings, and continuo TWV 55:a2. 4 4 2 It is important to note that the word "viola" existed in Italy before the vihuela, or first viol, was brought from Spain. All the instruments of this museum are played by the Orpheon Baroque Orchestra, the Orpheon consort, or by musicians who receive an instrument for a permanent loan. 8 (-)- V*/V*/V* - 11968 - Imslpmailinator, Complete Parts 6 During his lifetime and the latter half of the 18th century, Telemann was very highly regarded by colleagues and critics alike. More than 100 instruments, including approximately 50 historical viola da gambas in playable condition, are the property of this new concept of a museum: the Orpheon Foundation Museum of Historical Instruments. 2 Ensembles like these show that the viol is making a comeback. Jay Elfenbein has also written works for the Yukimi Kambe Viol Consort, Les Voix Humaines, and Elliot Z. Levine, among others. The movable nature of the tied-on frets permits the viol player to make adjustments to the tempering of the instrument, and some players and consorts adopt meantone temperaments, which are more suited to Renaissance music. Allegro III. 10 4 4 (-)- !N/!N/!N - 10052 - Abonds, Viola solo (with ornamented 1st movt.) "viol for the arm"). Taking the older 6 10 [citation needed] The names viola (Italy) and vihuela (Spain) were essentially synonymous and interchangeable. - in C major Fwv L:c 1 \ Concerto for bassoon, strings & b.c. In the formative years, C-holes were most often placed facing each other or turned inwards. WebConcerto for 2 Violins, TWV 52:G2 (Telemann, Georg Philipp) Concerto for 3 Oboes, 3 Violins and Continuo, TWV 44:43 (Telemann, Georg Philipp) Concerto for 3 Trumpets and Timpani, TWV 54:D3 (Telemann, Georg Philipp) Concerto for 3 Trumpets and Timpani, TWV 54:D4 (Telemann, Georg Philipp) Concerto for 3 Violins, TWV 53:F1 (Telemann, Georg - (-) - !N/!N/!N - 111 - MID - Rdtennent, MID file (audio/video) 8 Most composers and their music are represented. - This has divisions at the back that are very worthwhile repertoire. 2 6 (-)- !N/!N/!N - 5159 - Ezequiel Diz, PDF typeset by editor 8 0.0/10 2 In the 20th century, the viola da gamba and its repertoire were revived by early music enthusiasts, an early proponent being Arnold Dolmetsch. 10 Here are some of the extant historic viols at The Metropolitan Museum of Art: Painting by Abraham Bosse, Musical Society, French,c. 4 (-) - !N/!N/!N - 778 - MP3 - Pauldebra, Synthesized Performance (-)- !N/!N/!N - 1249 - RSB, Violin 2 0.0/10 Christ Church, Ms.979-83 (ca.1570), John Coprario (ca.1570-1626) - Fantasia 2, VdGS No.1, Cambridge. Some other names for viols include viole or violle (French). Concerto in E-flat major, for 2 horns, strings, and continuo, TWV 54:Es1, from Musique de table, troisime Production (Table Music, third Production) Concerto a 5 for Horn, 2 Violins, Viola and Basso continuo; Ludwig van Beethoven. 4 Complete Recording In J. S. Bach's Fifth Brandenburg Concerto, for example, the concertino is a flute, a violin, and a harpsichord; although the harpsichord is a featured 10 Switch back to classic skin, For Trumpet and Euphonium (Messerschmidt), Creative Commons Attribution Non-commercial No Derivatives 3.0, Creative Commons Attribution Non-commercial Share Alike 3.0, Creative Commons Attribution Non-commercial 3.0, Creative Commons Attribution-NonCommercial 4.0, International Harp Archives at Brigham Young University, Creative Commons Attribution-ShareAlike 4.0, Wikipedia article (Inventions and Sinfonias), Keyboard arrangements of concerti by other composers, BWV 972987, http://imslp.org/index.php?title=Invention_in_C_major,_BWV_772_(Bach,_Johann_Sebastian)&oldid=3466427, Pages with items from edition "Bach-Gesellschaft Ausgabe (Bach, Johann Sebastian)", Scores from the International Harp Archives, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License. From then on, he incorporated the French operatic style into his vocal works. 10 8 0.0/10 10 The viola da gamba is occasionally confused with the viola, the alto member of the modern violin family and a standard member of both the symphony orchestra and string quartet. Bodleian Library, Mus.Sch.d.245-47 (ca.1620-30), Marin Marais (16561728) Pices a Une Viole du Premier Livre (1686) Prelude Fantaisie Allemande Double Courante Double Sarabande Gigue Double, Marin Marais (1656-1728) Sonnerie de Sainte-Genevive du Mont de Paris The Bells of St. Genevieve from La Gamme et Autres Morceaux de Symphonie (1723), tienne Moulini (15991676) Fantasia 4, VdGS No.2 for 2 Treble Viols, Tenor & Bass Viols (1639), Diego Ortiz (1510-1570) - Recercada primera sobre tenores italianos from Trattado de Glosas, Libro Secundo (1553), Robert Parsons (ca.1535-1572) - In Nomine7, No.2, London. Boccaccio (2012/5/16), Complete Score (with realized continuo) Woodcock, Robert -3 Concertos with oboe. 10 10 WebConcerto in G major for viola and string orchestra with basso continuo Composer Telemann, Georg Philipp: Opus/Catalogue Number Op./Cat. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. 1600, London", "English viol, unsigned, 17th century in spectacularly original condition", "Division Viol, School of Tielke, Hamburg, ca. A player of the viol is commonly known as a gambist, violist /valst/, or violist da gamba. - 2.1 Scores; 2.2 Arrangements and Transcriptions. It is the first known concerto for viola and was written circa 17161721. 10 0.0/10 Stefano Pio argues that a re-examination of documents in the light of newly collected data indicates an origin different from the vihuela de arco from Aragon. 4 WebTrevor David Pinnock CBE (born 16 December 1946 in Canterbury, England) is a British harpsichordist and conductor.. 2 The Viola da Gamba Society of America has also been a potent force fostering new compositions for the viol. WebGeorg Philipp Telemann. 4 - 14 March] 1681 25 June 1767) was a German Baroque composer and multi-instrumentalist. 10 Unlike members of the violin family, which are tuned in fifths, viols are usually tuned in fourths with a major third in the middle, mirroring the tuning employed on the vihuela de mano and lute during the 16th century and similar to that of the modern six-string guitar. 10 2 This site requires operational cookies (e.g. EmilianoArroyoC (2015/7/14), Harpsichord 8 2 Telemann's eldest son Andreas died in 1755, and Andreas' son Georg Michael Telemann was raised by the aging composer. 10 Taking the older (-)- !N/!N/!N - 182 - Rdtennent, PDF typeset by arranger Michrond (2016/7/9), Complete Score WebThe concerto began to take its modern shape in the late-Baroque period, beginning with the concerto grosso form developed by Arcangelo Corelli.Corelli's concertino group was two violins, a cello and harpsichord. De-skewed and cleaned. Music for consorts was very popular in England in Elizabethan times, with composers such as William Byrd and John Dowland, and, during the reign of King Charles I, John Jenkins, William Lawes and Tobias Hume. *#541736 - 0.08MB, 2 pp. This serves to taper the back (and overall body depth) at its upper end to meet the back of the neck joint flush with its heel. Prodigiously productive, Telemann supplied a wealth of new music for Leipzig, including several operas, one of which was his first major opera, Germanicus. 2 While violins, such as those of Amati, achieved their classic form before the first half of the century, the viol's form standardized later in the century at the hands of instrument makers in England. (-) - !N/!N/!N - 703 - MP3 - Michrond, Synthesized Performance at the top of every page, or in the footer at the bottom of every page. It was a favorite instrument of Louis XIV and acquired associations of both courtliness and "Frenchness" (in contrast to the Italianate violin). [4][13] For example, by 1911, the Encyclopdia Britannica lacked an article about Telemann, and in one of its few mentions of him referred to "the vastly inferior work of lesser composers such as Telemann" in comparison to Handel and Bach.[14]. 33:2 (Telemann, Georg Philipp), Concerto polonois, TWV 43:G7 (Telemann, Georg Philipp), Concerto, TWV 54:F1 (Telemann, Georg Philipp), Conclusion in D major, TWV 50:9 (Telemann, Georg Philipp), Conclusion, TWV 50:5 (Telemann, Georg Philipp), Conclusion, TWV 50:10 (Telemann, Georg Philipp), Da, Jesu, deinen Ruhm zu mehren, TWV 1:155a (Telemann, Georg Philipp), Danket dem Herrn, TWV 1:163 (Telemann, Georg Philipp), Das Blut Christi wird unsre Gewissen reinigen, TWV 1:171 (Telemann, Georg Philipp), Das ist das ewige Leben, TWV 1:176 (Telemann, Georg Philipp), Das ist die Freudigkeit, TWV 1:178 (Telemann, Georg Philipp), Das ist ein kstlich Ding, TWV 1:180 (Telemann, Georg Philipp), Das ist je gewisslich wahr, TWV 1:183 (Telemann, Georg Philipp), Das ist meine Freude, TWV 1:188 (Telemann, Georg Philipp), Das ist meine Freude, TWV 8:17 (Telemann, Georg Philipp), Das ist sein Gebot, TWV 1:189 (Telemann, Georg Philipp), Das Kreuz ist eine Liebesprobe, TWV 1:190 (Telemann, Georg Philipp), Das macht Gottes Vaterherz, TWV 1:191 (Telemann, Georg Philipp), Das Reich Gottes ist nicht Essen und Trinken, TWV 1:193 (Telemann, Georg Philipp), Das sollt du wissen, da in den letzten Tagen, TWV 1:195 (Telemann, Georg Philipp), Das wei ich fr wahr, TWV 1:198 (Telemann, Georg Philipp), Das Wetter rhrt mit Strahl und Blitzen, TWV 1:199 (Telemann, Georg Philipp), Das Wort Jesus Christus ist das wahrhaftige Licht, TWV 1:200 (Telemann, Georg Philipp), Da Herz und Sinn, o schwacher Mensch, TWV 1:194 (Telemann, Georg Philipp), Dazu ist erschienen der Sohn Gottes, TWV 1:207 (Telemann, Georg Philipp), Dein gndig Ohr, TWV 1:214 (Telemann, Georg Philipp), Deine Toten werden leben, TWV 1:213 (Telemann, Georg Philipp), Deiner Sanftmut Schild, TWV 1:211 (Telemann, Georg Philipp), Deines neuen Bundes Gnade, TWV 1:212 (Telemann, Georg Philipp), Den Christen mischt Christus, durch heilig's Verstellen, TWV 1:219b (Telemann, Georg Philipp), Dennoch bleib ich stets an dir, TWV 1:224 (Telemann, Georg Philipp), Dennoch bleib ich stets an dir, TWV 1:225 (Telemann, Georg Philipp), Der Engel des Herrn lagert sich, TWV 1:232 (Telemann, Georg Philipp), Der Engel des Herrn lagert sich, TWV 1:235 (Telemann, Georg Philipp), Der Geist gibt Zeugnis, TWV 1:243 (Telemann, Georg Philipp), Der Gott des Friedens, TWV 1:250 (Telemann, Georg Philipp), Der Gott unsers Herrn Jesu Christi, TWV 1:254 (Telemann, Georg Philipp), Der Gottlose ist wie ein Wetter, TWV 1:251 (Telemann, Georg Philipp), Der Herr ist Knig, TWV 8:6 (Telemann, Georg Philipp), Der Herr ist mein Hirte, TWV 1:268 (Telemann, Georg Philipp), Der Herr ist nahe allen, TWV 1:274 (Telemann, Georg Philipp), Der Herr ist nahe bei denen, TWV 1:275 (Telemann, Georg Philipp), Der Herr kennet die Tage der Frommen, TWV 1:281 (Telemann, Georg Philipp), Der Herr lebet, TWV 1:284 (Telemann, Georg Philipp), Der Herr regieret, TWV 1:285 (Telemann, Georg Philipp), Der Herr wird den Elenden, TWV 1:291 (Telemann, Georg Philipp), Der Herr wird ein neues im Lande schaffen, TWV 1:293 (Telemann, Georg Philipp), Der himmlischen Geister unzhlbare Menge, TWV 1:298 (Telemann, Georg Philipp), Der jngste Tag wird bald sein Ziel erreichen, TWV 1:301 (Telemann, Georg Philipp), Der jngste Tag wird bald sein Ziel erreichen, TWV 1:302 (Telemann, Georg Philipp), Der mit Snden beleidigte Heiland, TWV 1:306 (Telemann, Georg Philipp), Der Regen Gottes trieft auf gute Sprossen, TWV 1:312 (Telemann, Georg Philipp), Der Reichtum macht allein beglckt, TWV 1:313 (Telemann, Georg Philipp), Der Segen des Herrn machet reich ohne Mhe, TWV 1:310 (Telemann, Georg Philipp), Der Segen des Herrn machet reich ohne Mhe, TWV 1:311 (Telemann, Georg Philipp), Der Segen des Herrn machet reich ohne Mhe, TWV 1:316 (Telemann, Georg Philipp), Der Tod ist verschlungen in den Sieg, TWV 1:322 (Telemann, Georg Philipp), Des wtenden Meeres betubendes Brausen, TWV 1:327a (Telemann, Georg Philipp), Dich, den meine Seele liebet, TWV 1:328 (Telemann, Georg Philipp), Die auf den Herrn hoffen, TWV 7:9 (Telemann, Georg Philipp), Die Bosheit dreht das schnellste Rad, TWV 1:331 (Telemann, Georg Philipp), Die Ehre des herrlichen Schpfers zu melden, TWV 1:334 (Telemann, Georg Philipp), Die Glut des Zorns, das Feuer der Rache, TWV 1:338a (Telemann, Georg Philipp), Die Gnadenthre steht dir offen, TWV 1:339 (Telemann, Georg Philipp), Der fr die Snde der Welt gemarterte und sterbende Jesus (Various), Musikalische Werke (Telemann, Georg Philipp), Album of Concerto Themes for the Junior String Orchestra (Various), Andreas-Bach-Buch, D-LEm Becker III.8.4 (Various), Baroque Music for Recorder Ensemble (Berger, Sven), Cadenzen, Versetten, Prludien und Fugen (Ett, Kaspar), Les Clavecinistes de 1637 1790 (Mreaux, Jean-Amde Lefroid de), A Collection of Pieces for 2 Soprano, Alto and Tenor Instruments (Kompy), 4 Concerti for 4 Violins, TWV 40:201-204 (Telemann, Georg Philipp), 6 Concerts et 6 Suites (Telemann, Georg Philipp), The Cremona Violin Album of Modern and Classical Pieces (Moffat, Alfred), The Delightful Pocket Companion for the Flute (Bremner, Robert), Essercizii musici (Telemann, Georg Philipp), 36 Fantaisies pour le clavessin, TWV 33:1-36 (Telemann, Georg Philipp), 12 Fantasias for Flute without Bass, TWV 40:2-13 (Telemann, Georg Philipp), 12 Fantasias for Viol without Bass, TWV 40:26-37 (Telemann, Georg Philipp), 12 Fantasias for Violin without Bass, TWV 40:14-25 (Telemann, Georg Philipp), Fast allgemeines Evangelisch-Musicalisches Lieder-Buch (Telemann, Georg Philipp), Gesammelte Werke fr Orgel (Walther, Johann Gottfried), Der getreue Music-Meister (Telemann, Georg Philipp), Harmonischer Gottesdienst (Telemann, Georg Philipp), 22 Instrumental Pieces, Schrank II/31/4 (Various), Instrumentalkonzerte deutscher Meister (Schering, Arnold), 168 Keyboard pieces, TWV 36:1-168 (Telemann, Georg Philipp), Kleine Kammermusik (Telemann, Georg Philipp), Klingende Geographie (Telemann, Georg Philipp), 16 Konzerte nach verschiedenen Meistern, BWV 972987 (Bach, Johann Sebastian), Kunst des Orgelspiels (Ritter, August Gottfried), Lieder der Deutschen mit Melodien (Winter, Georg Ludwig), Lieder und Arien (Telemann, Georg Philipp), 50 Menuets, TWV 34:1-50 (Telemann, Georg Philipp), 6 Moralische Kantaten, TWV 20:17-22 (Telemann, Georg Philipp), 6 Moralische Kantaten, TWV 20:23-28 (Telemann, Georg Philipp), 6 Moralische Kantaten, TWV 20:29-34 (Telemann, Georg Philipp), 42 Movements from Ouverture-Suites, Schrank II/31/3 (Various), Musikalisches Lob Gottes (Telemann, Georg Philipp), Nachrichten und Anmerkungen die Musik betreffend (Hiller, Johann Adam), 50 New Menuets, TWV 34:51-100 (Telemann, Georg Philipp), Nouveaux quatuors en six suites (Telemann, Georg Philipp), Nouvelles sonatines (Telemann, Georg Philipp), 24 Oden, TWV 25:86-109 (Telemann, Georg Philipp), 6 Overtures for Clavier, TWV 32:5-10 (Telemann, Georg Philipp), Prludien-Album fr Orgel oder Piano (Knuth, Jrgen), Pyrmonter Kurwoche (Telemann, Georg Philipp), 12 Quadri 'Paris Quartets' (Telemann, Georg Philipp), 6 Quatuors ou Trios (Telemann, Georg Philipp), Selection of Practical Harmony, WO 7 (Clementi, Muzio), Solfeggi, Giedde I.16 (Quantz, Johann Joachim), 12 Solos violon ou traversiere avec la basse chiffre (Telemann, Georg Philipp), Solos for a Violin with a Thorough Bass (Telemann, Georg Philipp), 9 Sonatas for 2 Flutes, TWV 40:141-149 (Telemann, Georg Philipp), 56 Sonatas for Instrument and Continuo, B-Bc 15115 (Various), 6 Sonatas, TWV 40:101-106 (Telemann, Georg Philipp), 12 Sonate Metodiche (Telemann, Georg Philipp), Sonaten und Spielstcke (Telemann, Georg Philipp), 6 Sonates violon seul accompagn par le clavessin (Telemann, Georg Philipp), 6 Sonates corellisantes (Telemann, Georg Philipp), Suite in B-flat major 'Three-four' (Telemann, Georg Philipp), 6 Suonatine per violino e cembalo (Telemann, Georg Philipp), Le trsor des pianistes (Farrenc, Aristide), 3 Trietti methodichi e 3 Scherzi (Telemann, Georg Philipp), Trio Sonata in E minor (Telemann, Georg Philipp), 6 Trio Sonatas (Kleinknecht, Jakob Friedrich), Violin Sonata in F major, Schrank II/34/90 (Anonymous), Wer ist der, so von Edom kmmt (Altnikol, Johann Christoph), Zur Geschichte des Orgelspiels (Ritter, August Gottfried), Anleitung zum Transponieren (Haltmeier, Carl Johann Friedrich), Cantilena circularis Vide Domine, ZWV 179 (Zelenka, Jan Dismas), Ich lebe, mein Herze, zu deinem Ergtzen, BWV 145 (Bach, Johann Sebastian), Verzeichni der Telemannischen Musikalischen Werke (Telemann, Georg Philipp), http://imslp.org/index.php?title=Category:Telemann,_Georg_Philipp&oldid=3615341, Creative Commons Attribution-ShareAlike 4.0 License. You can listen to anything IN FULL. - The parts from the Concerto for four harpsichords BWV 1065 (Bach's arrangement of the Concerto for Four Violins, RV 580, by Antonio Vivaldi), have been dated to around 1730. - 10 10 This reduced damping again meant that their tops could vibrate more freely, contributing to the characteristic "humming" sound of viols; yet the absence of a sound post also resulted in a quieter and softer voice overall. Lob und Ehre und Weisheit, TWV 1:91 (Telemann, Georg Philipp), Auf ehernen Mauern, TWV 1:96 (Telemann, Georg Philipp), Auf, erwachet, meine Sinnen, TWV 1:98 (Telemann, Georg Philipp), Die Auferstehung und Himmelfahrt Jesu, TWV 6:6 (Telemann, Georg Philipp), Der aus der Lwengrube errettete Daniel, TWV deest (Telemann, Georg Philipp), Aus Gnaden seid ihr selig worden, TWV 1:113 (Telemann, Georg Philipp), Bassoon Sonata, TWV 41:EsA1 (Telemann, Georg Philipp), Bassoon Sonata, TWV 41:f1 (Telemann, Georg Philipp), Beglckte Zeit, die uns des Wortes Licht, TWV 1:118 (Telemann, Georg Philipp), Begnadigte Seelen gesegneter Christen, TWV 1:119 (Telemann, Georg Philipp), Betrbter Lohn der Missetaten, TWV 1:125a (Telemann, Georg Philipp), Beweget euch munter, TWV 1:125b (Telemann, Georg Philipp), Bittet, so wird euch gegeben, TWV 1:127 (Telemann, Georg Philipp), Brockes Passion, TWV 5:1 (Telemann, Georg Philipp), 18 Canons Mlodieux, TWV 40:118-123 (Telemann, Georg Philipp), Capriccio Flauto traverso, TWV 41:G5 (Telemann, Georg Philipp), Carillon 2 Chalumeaux, TWV 40:109 (Telemann, Georg Philipp), Cello Sonata, TWV 41:D6 (Telemann, Georg Philipp), Christ lag in Todes Banden, TWV 31:27 (Telemann, Georg Philipp), Christum lieb haben ist besser, TWV 1:137 (Telemann, Georg Philipp), Christus der ist mein Leben, TWV 1:138 (Telemann, Georg Philipp), Christus ist aufgefahren, TWV 1:145 (Telemann, Georg Philipp), Christus ist das wahrhaftige Licht, TWV 1:146 (Telemann, Georg Philipp), Concerto 3, TWV 43:A7 (Telemann, Georg Philipp), Concerto 4, TWV 43:a3 (Telemann, Georg Philipp), Concerto 4, TWV 43:A4 (Telemann, Georg Philipp), Concerto 4, TWV 43:a4 (Telemann, Georg Philipp), Concerto 4, TWV 43:A5 (Telemann, Georg Philipp), Concerto 4, TWV 43:B1 (Telemann, Georg Philipp), Concerto 4, TWV 43:C2 (Telemann, Georg Philipp), Concerto 4, TWV 43:D1 (Telemann, Georg Philipp), Concerto 4, TWV 43:d2 (Telemann, Georg Philipp), Concerto 4, TWV 43:D4 (Telemann, Georg Philipp), Concerto 4, TWV 43:D7 (Telemann, Georg Philipp), Concerto 4, TWV 43:E2 (Telemann, Georg Philipp), Concerto 4, TWV 43:e5 (Telemann, Georg Philipp), Concerto 4, TWV 43:Es1 (Telemann, Georg Philipp), Concerto 4, TWV 43:G1 (Telemann, Georg Philipp), Concerto 4, TWV 43:g4 (Telemann, Georg Philipp), Concerto 4, TWV 43:G6 (Telemann, Georg Philipp), Concerto 4, TWV 43:G8 (Telemann, Georg Philipp), Concerto 4, TWV 43:h3 (Telemann, Georg Philipp), Concerto 7 in A minor, TWV 44:42 (Telemann, Georg Philipp), Concerto 7 in F major, TWV 44:41 (Telemann, Georg Philipp), Concerto di Camera, TWV 43:g3 (Telemann, Georg Philipp), Concerto for 2 Chalumeaux and 2 Bassoons, TWV 52:C1 (Telemann, Georg Philipp), Concerto for 2 Chalumeaux, TWV 52:d1 (Telemann, Georg Philipp), Concerto for 2 Flutes and Bassoon, TWV 53:a1 (Telemann, Georg Philipp), Concerto for 2 Flutes and Bassoon, TWV 53:A1 (Telemann, Georg Philipp), Concerto for 2 Flutes and Bassoon, TWV 53:G1 (Telemann, Georg Philipp), Concerto for 2 Flutes and Calchedon, TWV 53:D1 (Telemann, Georg Philipp), Concerto for 2 Flutes and Calchedon, TWV 53:h1 (Telemann, Georg Philipp), Concerto for 2 Flutes and Violin, TWV 53:e1 (Telemann, Georg Philipp), Concerto for 2 Flutes, Oboe and Violin, TWV 54:B1 (Telemann, Georg Philipp), Concerto for 2 Flutes, TWV 52:e2 (Telemann, Georg Philipp), Concerto for 2 Flutes, Violin and Cello, TWV 54:D1 (Telemann, Georg Philipp), Concerto for 2 Horns, TWV 52:D1 (Telemann, Georg Philipp), Concerto for 2 Horns, TWV 52:D2 (Telemann, Georg Philipp), Concerto for 2 Horns, TWV 52:Es1 (Telemann, Georg Philipp), Concerto for 2 Horns, TWV 52:F3 (Telemann, Georg Philipp), Concerto for 2 Horns, TWV 52:F4 (Telemann, Georg Philipp), Concerto for 2 Oboes and Bassoon, TWV 53:C1 (Telemann, Georg Philipp), Concerto for 2 Oboes and Bassoon, TWV 53:d1 (Telemann, Georg Philipp), Concerto for 2 Oboes and Bassoon, TWV 53:g1 (Telemann, Georg Philipp), Concerto for 2 Oboes and Trumpet, TWV 53:D2 (Telemann, Georg Philipp), Concerto for 2 Oboes d'amore and Cello, TWV 53:D3 (Telemann, Georg Philipp), Concerto for 2 Recorders and 2 Oboes, TWV 54:B2 (Telemann, Georg Philipp), Concerto for 2 Recorders, TWV 52:a2 (Telemann, Georg Philipp), Concerto for 2 Recorders, TWV 52:B1 (Telemann, Georg Philipp), Concerto for 2 Trombe selvatiche and 2 Violins, TWV 54:Es1 (Telemann, Georg Philipp), Concerto for 2 Violas, TWV 52:G3 (Telemann, Georg Philipp), Concerto for 2 Violins and Bassoon, TWV 53:D4 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:A2 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:B2 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:C2 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:D3 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:e4 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:G1 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:g1 (Telemann, Georg Philipp), Concerto for 2 Violins, TWV 52:G2 (Telemann, Georg Philipp), Concerto for 3 Oboes, 3 Violins and Continuo, TWV 44:43 (Telemann, Georg Philipp), Concerto for 3 Trumpets and Timpani, TWV 54:D3 (Telemann, Georg Philipp), Concerto for 3 Trumpets and Timpani, TWV 54:D4 (Telemann, Georg Philipp), Concerto for 3 Violins, TWV 53:F1 (Telemann, Georg Philipp), Concerto for 4 Violins, TWV 54:A1 (Telemann, Georg Philipp), Concerto for Flute and 2 Violins, TWV 51:AnhG1 (Telemann, Georg Philipp), Concerto for Flute and Violin, TWV 52:e3 (Telemann, Georg Philipp), Concerto for Flute, Harpsichord and Continuo, TWV 42:D6 (Telemann, Georg Philipp), Concerto for Flute, Violin and Cello, TWV 53:A2 (Telemann, Georg Philipp), Concerto for Oboe and Violin, TWV 52:c1 (Telemann, Georg Philipp), Concerto for Oboe and Violin, TWV 52:F2 (Telemann, Georg Philipp), Concerto for Oboe d'amore, TWV 51:A2 (Telemann, Georg Philipp), Concerto for Oboe d'amore, TWV 51:G3 (Telemann, Georg Philipp), Concerto for Recorder and Bassoon, TWV 52:F1 (Telemann, Georg Philipp), Concerto for Recorder and Flute, TWV 52:e1 (Telemann, Georg Philipp), Concerto for Recorder and Viola da Gamba, TWV 52:a1 (Telemann, Georg Philipp), Concerto for Recorder, Horn and Continuo, TWV 42:F14 (Telemann, Georg Philipp), Concerto for Viola d'amore, Oboe d'amore and Flute, TWV 53:E1 (Telemann, Georg Philipp), Concerto for Violin and 2 Oboes, TWV 53:e2 (Telemann, Georg Philipp), Concerto for Violin and 3 Horns, TWV 54:D2 (Telemann, Georg Philipp), Concerto for Violin, Cello, Trumpet and Strings, TWV 53:D5 (Telemann, Georg Philipp), Concerto for Violin, Horn, Cello and Continuo, TWV 43:F6 (Telemann, Georg Philipp), Concerto per la Chiesa, TWV Anh.

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